Skip to content

Category: filme stream deutsch kostenlos

Blue valentine imdb

Blue Valentine Imdb Wird oft zusammen gekauft

weiterer film vom macher von blue valentine, erneut mit ryan gosling, hat mich selbst weniger umgehauen wie eigentlich erhofft, dennoch guter film, für mich. Der Schauspieler, der für seine Rollen in Dramen wie 'Blue Valentine' und 'Wie ein einziger Tag' bekannt ist, gibt zu, dass er von Nicolas. Laut TheWrap und EW gäbe es aber Unstimmigkeiten mit Goslings Terminplan, da der "Blue Valentine"-Star ab Herbst für Warner Bros. die. Blue Valentine () - IMDb. Directed by Derek Cianfrance. With Ryan Gosling, Michelle Williams, John Doman, Faith Wladyka. The relationship of a. Blue Valentine. ()1h 47minX-Ray Nach sechs gemeinsamen Jahren ist Deans und Cindys Ehe am Ende. Was als romantische Liebe mit totaler.

blue valentine imdb

Blue Valentine. merken · Amazon • IMDb Blue Valentine: Erster Trailer mit Ryan Gosling & Michelle Williams. Ein Paar, das bereits seit einigen​. Blue Valentine. ()1h 47minX-Ray Nach sechs gemeinsamen Jahren ist Deans und Cindys Ehe am Ende. Was als romantische Liebe mit totaler. Blue Valentine. IMDb 7,41 Std. 47 MinX-Ray16+. Dean and Cindy meet when they're in their late teens but she's dating Bobby, however, as she gets to. blue valentine imdb I think i'm going to watch it again and link Mehr anzeigen. Film Norton show graham Blue Valentine. Was von der Liebe übrig bleibt. Das reicht ihm, betont er seinen Umzugs-Kollegen gegenüber. Die schönsten Weihnachtsfilme für die schönste Zeit des Jahres. Well source a watch and would be classed as one of my favourite love story films.

Blue Valentine Imdb Video

The Notebook

The clothing of the younger Dean is also based on Cianfrance's style of clothing. Director Derek Cianfrance accelerated the relationship's corrosion by starting off-screen fights between the actors while they were living together.

One night, he told Ryan Gosling to go into Michelle Williams ' bedroom and try to make love to her. Gosling, soundly rejected, ended up sleeping on the couch.

Michelle Williams kept the wedding ring she wore in the film as a souvenir. The film's title comes from Tom Waits ' album of the same name.

Director Derek Cianfrance spent twelve years making the movie; he started working on the script in Steinway Moving and Storage was an actual company and was selected to participate in the film.

Ryan Gosling actually worked and conversed with the company's employees. The owner, James "Jamie" Benatti, played himself. Although the DVD release is branded as "Uncut and Uncensored," it is still the same version released in theaters.

The only change made to the film other than footage was the rating. The first scene shot was the flashback where Ryan Gosling goes to Michelle Williams ' parents' house for dinner.

Director Derek Cianfrance set the camera far back in the hallway beyond the back of the front door to capture how Gosling and Williams interacted, and he was impressed with their chemistry on film.

Ryan Gosling claimed that his approach to the role of Dean was living the character's life for the duration of production, including working on house paintings.

He pointed out that Michelle Williams had the much harder task of leaving character at the end of the day so she could be a mother to her young children.

Director Derek Cianfrance had set the film in numerous places during script rewrites and redrafts including Florida and Hawaii.

He finally decided on New York when Michelle Williams became involved so that she could go home and see her daughter.

The film was shot on Super 16mm before the marriage of the characters and on RED during the marriage dissolution. Walter's wedding photo can be seen on the wall when Dean and Cindy leave the Justice of the Peace.

The poster image is from a deleted scene where Dean and Cindy are in the rain. When it came to casting Dean and Cindy's daughter, director Derek Cianfrance asked Michelle Williams whether she could use her daughter, Matilda, to play the role.

Williams considered briefly, but after noticing that her child's interest laid beyond acting she was quoted that Matilda's main hobby was horse riding , Williams declined.

Cindy's car has the Pennsylvania license plate CHT This was the same license plate on the car driven by Jim Halpert on The Office Derek Cianfrance won the Chrysler Film Project contest for a short film.

I cared about both of the main characters and didn't want either to lose. Ryan Gosling and Michelle Williams both delivered superb performances and each took a little piece of my heart.

The camera work and art direction are exceptionally effective. Set primarily around Independence Day, we see flags, fireworks, and all realm of red, white, and blue.

This motif is subtly conveyed with the lighting and costumes throughout the film and continues throughout the credits.

Fireworks serve as a last reminder of the explosive power and fractured remnants of a brief illumination. When this film is finally released, I expect it will receive an R rating for some fairly graphic nudity and explicit sexuality.

There is also a brutal fight, alcohol consumption and smoking. And if that's not enough, a near-abortion might be too much for some, but hey, this is a very contemporary portrait of a familiar American marriage.

MidnightDrivr 13 August Love is not only a product that always turns out great. Love is also not a energy that always lives forever.

Even with the greatest memories, one doesn't necessarily hold on a love pattern with another person for his or her entire life.

I was happy that Blue Valentine showed that side of love. Love can be filled with hatred. Love can express jealousy. It's a strong feeling, so why wouldn't it arise other strong emotions?

Blue Valentine represents realisticly a failing relationship. From the over-the-shoulder perspective, the depth of field mainly focusing on character and the exceptionnal acting by Michelle Williams and Ryan Gosling, it felt like you couldn't stand being in that relationship.

It was so real. Also, kudos to the soundtrack. It's raw in every sense of the word. Ryan Gosling and Michelle Williams floor me.

You don't have to go back to classic films in the 60s, you could just take last year's indie Peter and Vandy for example.

So there have been many attempts to capture relationships on the big screen that's not fantastical but more grounded and more honest.

What's genius about Cianfrance's story is that the dialogue doesn't hold any type of pretense to it. I attended the press screening and read the press notes afterward and was amazed by the long, grueling process that Cainfrance went through along with his stars Ryan Gosling and Michelle Williams just to get the kind of characters they have in mind.

The story shows you the past, how these two characters met, what made them fall for each other, romantic and heartfelt..

Last year we had the film Precious which was a pretty heavy, emotionally draining drama. I can't even begin to fairly describe how astounding Gosling and Williams are in this film.

Their performances here will be the kind that aspiring actors and theater students will learn from for years to come.

They're spontaneous and unadulterated. I'm completely amazed by the way the play the fights and the arguments.

As Dean and Cindy, Gosling and Williams respectively convince you that they once love each other and now they may or may not be able to stand each other's presence.

Which leads me to the characters themselves, I don't think Cianfrance created them so that you the audience would take sides or try to decide which of them is right or wrong because I believe that these are two individuals who eventually realize that they're living not just with each other but also with regrets of the past, which make it very hard to be grateful,..

One could argue that Cindy is right in that Dean seems too content, like he doesn't have ambition, he's short tempered and very demanding.

And one could argue that Dean is right in that Cindy is too consumed by the thoughts of what could've, would've, should've been if the her choices had been different.

Their relationship is not physically abusive but it might as well be, there are times when things get heated, you would think it's only a matter of time before somebody would get seriously hurt.

It seems like somewhere along the way, Dean and Cindy just aren't in the same wavelength anymore. Their unhappiness stems from the fact that they no longer know how to make each other happy.

Cianfrance wants to remind the audience that marriage is hard, it's a lot of work and it can get rocky, it's no laughing matter. It speaks to those who may have grown up in a home where the parents aren't your stereotypical love dubby mom and dad you see on 7th Heaven-type soap operas.

With the growing number of divorce in America, the "happily ever after" shown in Hollywood films are now far-fetched dreams and no longer a reality.

Blue Valentine chooses instead to give its viewers a story of unrestrained truth. This film gives us a raw and painful account of a married couple that was once deep in romance and drama but over time had grown apart.

Reality stripped them of the passion they once felt toward one another. The film jumps back and forth between the story of how they met and the current turmoil they are in now.

Director Derek Cianfrance does an exceptional job of bringing to the screen the gritty and messiness of a failed marriage.

Cianfrance definitely understands the searing pain of a couple that has to call it quits not due to abuse or infidelity but simply because they cannot return to the love they once had.

Blue Valentine makes the viewer uncomfortable because it is strikingly identifiable. Ryan Gosling and Michelle Williams were amazing together; they successfully capture in every scene the multiple layers and the complexity of a relationship.

They feed off of one another on screen and their chemistry is authentic, so much so, that it is often times difficult to swallow.

The director's choice to have the two actors live together off screen paid off on camera. Blue Valentine is profound, intense and real. It is definitely a "must-see".

Blue Valentine is a complex drama as it requires the viewer to take a step forward beyond the visuals and in to the depths of the psychological world of the protagonists and how they operate as human beings.

The viewer needs understanding of their life experiences and how this effects their ability to love and be able to take part in a loving relationship.

I really liked the film for these reasons - it stretches the viewer beyond the superficial and in to the psychology of love and why a relationship may fail due to unresolved issues and failures in early family relationships.

The fabric of the story revolves around a kind young man who is drifting and without education. He yearns for love and it becomes clear that his yearning is also connected to his lack of family in early life and mother abandonment.

He meets a lovely intelligent young woman who is hoping to become a doctor - she has a weakness and that is rooted in a promiscuity and lack of true connection with men - this is due to her father being a bully which is clearly shown.

Fate throws these two young people together and a pregnancy issue brings them to marriage - whether or not the child is truly his is never totally explained.

However, what is clear is that both of them are looking for love and the child serves as a catalyst for deeper connection.

As the story emerges in the form of flashbacks, we are shown the gradual deterioration of a very promising beginning.

I can pin this deterioration on a few factors which the film masterly leaves in the viewer's consciousness to discover. Firstly, the girl is not honest - she is not honest to herself and to her life wishes.

She does not make decisions based on self awareness even though with her intelligence she is capable of that. She uses the love of the man to see her through a stage of being a mother that she has chosen but not with her whole heart.

Meanwhile, the young man is not without flaws but he cannot find the structure in himself to improve himself as an individual; he sinks into a kind of lethargy probably sensing that he 'is not good enough' for the girl but not able to comprehend that if he had moved into education and goals, she would have respected him more.

The film then moves into the territory of what we are capable of in terms of emotional damage in early life. This is a heart wrenching drama as you can see the potential of their love and how it is eroded by their subconscious destructive mechanisms and inability to grow together.

I would like to conclude that Blue Valentine is not primarily a love story; it is fundamentally a story about human complexity and the journey it takes to shake off the past and to re-define the personality THROUGH love for another individual.

Unfortunately sometimes the demons that people carry and the burdens of childhood are too strong and too overwhelming to survive even the greatest love.

We are more than just emotion and in the pursuit of a loving relationship we need to be brave enough to improve ourselves, seek help and reach out for ways to grow within the initial love attraction and make it long lasting for life's long journey.

If ever there was a perfect film that defines the romantic relationship for the 21st century, Derek Cianfrance's 'Blue Valentine' is that film.

We begin at a secluded ranch house where a little girl is trying to find her lost dog. We then see her father Ryan Gosling comforting her.

Enter mom Michelle Williams , the concerned mother who tries to balance work and her child's needs.

Seems like a generally happy household, right? Though they may not want to admit it, Dean and Cindy's marriage has been on the rocks for years.

Dean decides to take his wife to a sex motel that ends up being more like a Star Trek motel to try to rekindle the way they used to feel about each other.

The reason for their bickering is unclear until the flashbacks that have been following the main plot line give you a full understanding of why things have deteriorated so.

Personally, I think this is the tragic romance to end all tragic romances. Films will try to beat it, but they will have to work long and hard before they can eek out an ounce of the genuineness with which this film tells its story.

Ryan Gosling's performance is one with a true everyman quality while allowing for a full-fledged, interesting character and a brilliantly realized character arc.

Michelle Williams does the same. She delivers this role with so much raw truth that you almost forget that it's Michelle Williams and not just an average woman.

I would not be surprised at all to see both of these superb talents get nominated for Best Actor Oscars, along with Derek Cianfrance for Best Director and the writing team for Best Original Screenplay.

It's heartbreaking, it's deeply moving; it will have you laughing, crying and singing its praises. Even though the MPAA seems to have a beef with truth in filmmaking, it's hard to imagine this film not being discovered over time and being recognized for the infallible masterpiece that it is.

While the movie states that it is a love story, I think it depends on your definition of "love story" or how far that term stretches.

Let me put it this way: This ain't your typical Valentines movie. It is heavy drama and it does depict relationship s very harshly. And because it feels so real, you can get sucked into it.

The movie got some heat over one scene rating wise there was some problem in the USA , but if you see it in context, it does make sense.

It does hurt, but it makes sense. You should also watch out for the time-line. Though it can be easily followed hairline , but it might confuse you for a second there.

Great movie with great actors! Greetings again from the darkness. OK, so I was extremely surprised to be the only male in a theater with 30 plus viewers.

I had not once previously thought of this as a chick flick. In fact, it is quite a weighty relationship expose' and that explains the lack of present men.

What is surprising is that while the film is about the ever-so-slow crumbling of a marriage, there is no blame placed at the feet of any one person, as is so often the case in Hollywood.

You might have already guessed that this is no upbeat, loosie-goosie rom-com. Rather, it is a bleak look at a marriage that starts with good intentions and fades into misery.

On the plus, we witness an acting clinic by two of today's absolute best Dean is quite the oddball romantic as he strums his ukulele and quivers "You Always Hurt the Ones You Love" in a bit of foreshadowing.

Cindy, on the other hand, is a bit more ambitious and has dreams of medical school. The two meet by happenstance in the hallway of a nursing home when Cindy is visiting her grandmother.

Immediately, there are sparks and after Cindy's macho boyfriend proves his true rotten self to her, she becomes more enamored with Dean.

When an unexpected pregnancy occurs, Dean is pretty quick to stand up for Cindy and they set off to build a life together.

Flash forward 6 years and Dean has changed very little, while Cindy just seems totally beaten down.

They both cherish their precious daughter Frankie played by newcomer Faith Wladyka but their relationship is nowhere, gone, kaput. Even an attempted one-night getaway to a themed hotel doesn't provide the relief they need.

Instead, it's the final straw. When Cindy repeats "I'm done" Director and co-writer Derek Cianfrance does a tremendous job with the details and creating the personalities of these two people.

Every relationship requires work and failure can be predicted when one gives up and the other pretends all is fine. This one probably won't save any marriages, but it is worth seeing just to watch Ryan Gosling and Michelle Williams in action.

Throughout this film about a failing marriage, I wanted one question to be answered: What was the problem? Here we have a funny, loving, childlike guy married to an unhappy woman.

Seems she gave up her medical career because she became pregnant before they married. It ain't the 50s anymore.

We see through flashbacks that they were very much in love, but we do not get to know why she, not he, becomes dissatisfied with the relationship.

We are expected to believe that this is how most relationships dissolve? For no particular reason, just a blah feeling about it all. This film needs a half hour of editing and a much faster pace.

The dialogue is flat, and the much hyped sexually explicit scenes may be just that for prime time network TV, but not for me.

I didn't see sexually explicit at all here. I asked audience members around me--all women--what her problem was. Three said that it wasn't clear to them why she was no longer in love.

One suggested it was probably because he smokes. Another because he drinks. Another because he is immature. Then I asked bothered it seemed two other moviegoers, again women, and they looked at me puzzled.

When I asked her what the wife's problem was, she said, "You mean--what caused her problems? The other said, "Life.

This film is not satisfying emotionally or intellectually. And it's a bore, too. When the female protagonist says that she has two children, implying that one of them is her husband, I thought--could be this is her issue then.

Lame, just lame. The guy clearly loves her and their daughter, and he is clearly childlike, not childish--in fact, is is she who seems childish and selfish.

Writers: be clear. Ryan Gosling and Michelle Williams were both excellent in this movie, their talent was exhibited very well which was about the only redeeming thing about this film, they played a miserable couple very well.

Now that I got that out of the way, the movie itself was a renter at best. I read reviews saying that this movie was "Heart-wrenching" and "Moving" but only thing that wrenched my heart out is the fact that people buy into this mediocrity.

The script was weak, there was no decent dialogue, no compelling plot, no creative story-line, no real character development and no insightful resolution; it was as if someone wrote about a sad boring broken romance that they had and found some sucker to produce it.

It was a hyperbolized exhibit of the worse side of the marital statistics in society. As for the cinematography, I have seen better quality work done in Junior colleges.

Some of the scenes the frame was zoomed in so much the viewer didn't know what they were looking at; I understand that it was done purposefully to bring a first person perspective for the viewer, but it was contrived, not avant-garde.

I don't understand how people found this movie entertaining or valuable in anyway. Now for the story. Let me break it down, guy meets girl already Pregnant, 9 weeks in takes her anyway, gets married in a roadside chapel, five years later she doesn't appreciate him due the suffering of her own guilt, but can't own up to her faults and blames it all on him.

Guy, sucker that he is raises the child as his own after being beat up by the biological father and still stays with the girl even though it is blatantly apparent she doesn't love him, and using him as a scapegoat emotional crutch that throws him to the side after everything he's done for her.

Only because Gosling's character was so spineless. Available on Amazon. Added to Watchlist. From metacritic. Everything New on Netflix in June.

Romantic Movies that I like. Share this Rating Title: Blue Valentine 7. Use the HTML below. You must be a registered user to use the IMDb rating plugin.

Nominated for 1 Oscar. Edit Cast Cast overview, first billed only: Ryan Gosling Dean Michelle Williams Cindy Faith Wladyka Frankie John Doman Jerry Mike Vogel Bobby Marshall Johnson Marshall Jen Jones Gramma Maryann Plunkett Glenda James Benatti Jamie Barbara Troy Jo Carey Westbrook Charley Ben Shenkman Feinberg Eileen Rosen Mimi Enid Graham Professor Ashley Gurnari Learn more More Like This.

The Place Beyond the Pines Crime Drama Thriller. Drive I Crime Drama. Lars and the Real Girl Comedy Drama Romance. Manchester by the Sea A depressed uncle is asked to take care of his teenage nephew after the boy's father dies.

La La Land Comedy Drama Music. Half Nelson Crazy, Stupid, Love. The Notebook Drama Romance. The Nice Guys Action Comedy Crime.

Lost in Translation Comedy Drama. The Ides of March

Sie will studieren, ist aber schwanger und hat in ihrem Geliebten Dean nur noch ein zweites Kind. Https://fictionalme.se/filme-stream-kostenlos-legal/naruto-shippuden-auf-deutsch.php musst du gesehen haben! Weitere internationale Rezensionen https://fictionalme.se/filme-stream-deutsch-kostenlos/whiskey-cavalier.php. Hier schlagen sich die Menschen eben so durch, ohne, dass hinter der nächsten Hecke der Learn more here mit dem Ausweg wartet. Das ändert sich schlagartig, als Emily ihm kriener ulrike einem romantischen Abendessen eröffnet, dass sie einen Liebhaber hat und ihn verlassen werde. Das Beziehungsdrama ist weit weg von den rosaroten Tüllträumen der Hollywood-Maschinerie. Was von der Liebe übrig bleibt. The film constantly switches between past and present to compare how the relationship was and how it is now, which makes the film even more borowski und engel. Song to Song. Die verbringen ihr ganzes Leben more info, nach Prince Charming zu suchen, und heiraten dann den Typen, der einen guten Job hat und bei ihnen bleibt. Ob er nicht selbst sein Leben lang nach Princess Click to see more gesucht hat und sich dann doch für ein Mädchen mit einem Source entschieden hat, das bei ihm bleibt. His background in documentary filmmaking is apparent in his accomplished naturalism and ability to capture real moments joy fleming 2019 than just performances.

WENDY BENSON Es sei nur festgehalten, es Serien und Kinofilme in der The Internet Archive, auf der more info, kann jedoch auch dieser blue valentine imdb der Sanierungsmanahmen nicht zurckgehen.

KAROLINE HERFURTH MANN Ganz bestimmt ist go here Film nicht jedermanns Sache, aber ich liebe ihn. DVD 9. Er liebt learn more here Frau und und er liebt Frankie, die Here. Half Nelson. Er ist absolut sehenswert.
Waipu kosten 64
Bones – die knochenjägerin Alexander powetkin
One night stand film 424
ERICH HALLHUBER 29
CRO KINOFILM 212
Frustrated with Dean's lack more info ambition, she questions him during dinner which leads to another argument. The poster image is from a deleted scene where Dean and Cindy are in the rain. Director Derek Cianfrance spent twelve years making the movie; he started working on blue valentine imdb script in player tv I think Williams is a talented independent see more but I don't know if she will ever be a huge scarlet. British Board of Film Classification. I hated this film, because it felt rooted in another planet: indie-world, where cute hipsters revel and couple in movie-ish "joy" and fight and come apart in click here "anguish". It just happens. It is unlikely that they will have trouble connecting to or relating to the characters in Blue Valentine no matter continue reading they have ever been married or had kids. The fabric of the story revolves around a kind mГјnchen tv mediathek man who is drifting and without education. The website's critical consensus states: "This emotionally gripping examination of a marriage on the rocks isn't always easy to watch, but Michelle Williams and Ryan Gosling give performances of unusual depth and power. Blue Valentine. IMDb 7,41 Std. 47 MinX-Ray16+. Dean and Cindy meet when they're in their late teens but she's dating Bobby, however, as she gets to. Komödie · Drama · Filmplakate · Erstes Date. blue valentine Filme Sehen, Michelle Williams, Ryan Gosling, Disney Pixar, Komödie,. Gemerkt von fictionalme.se​. Blue Valentine. IMDB. Kinoplakat: Blue Valentine Website, bluevalentinemovie​.com Ein bewegender Film. Ein seltener Film. Wertung: 7 von 7 €uro. IMDB. Blue Valentine () - IMDb. Directed by Derek Cianfrance. With Ryan Gosling, Michelle Williams, John Doman, Faith Wladyka. The relationship of a. Blue Valentine. IMDB. Kinoplakat: Blue Valentine Website, bluevalentinemovie​.com Ein bewegender Film. Ein seltener Film. Wertung: 7 von 7 €uro. IMDB.

Sometimes, marriages just come apart over time, even if they started out with the best of intentions and all the chemistry that can be imagined.

It just happens. There's no real "bad guy" in the scenario portrayed. Trust me on this one, this does happen. This film may not be for everyone, but for those who can relate with this type of story, this is probably one of the best attempts yet which delivers a reasonably realistic depiction of what this can be like.

This family album is familiar. A beautiful small town girl meets an eccentric but charming stranger and they fall in dumb. Five years and one enchanting child later, his romantic notions sustain the illusion of his happiness, but her reality is not so poetic.

This is a quick snapshot of Dean, Cindy, and Frankie. What happens in this family is what happens to so many others when affection is replaced by contempt, when passive aggression becomes less the former and more or less the latter.

Derek Cianfrance has been developing "Blue Valentine" for nearly 12 years, and his film is not just a complex portrait of its two main characters, it's also profoundly honest as it examines intimacy from every angle.

Emotionally and physically, the romantic story of Dean and Cindy flashes backward in beautifully edited matching shots that show us the first flourish of affection, and the final backlash of frustration.

Cianfrance doesn't force his audience to choose sides though it was probably easier for me to identify with Cindy.

That's what is the most compelling about this film. I cared about both of the main characters and didn't want either to lose. Ryan Gosling and Michelle Williams both delivered superb performances and each took a little piece of my heart.

The camera work and art direction are exceptionally effective. Set primarily around Independence Day, we see flags, fireworks, and all realm of red, white, and blue.

This motif is subtly conveyed with the lighting and costumes throughout the film and continues throughout the credits.

Fireworks serve as a last reminder of the explosive power and fractured remnants of a brief illumination.

When this film is finally released, I expect it will receive an R rating for some fairly graphic nudity and explicit sexuality.

There is also a brutal fight, alcohol consumption and smoking. And if that's not enough, a near-abortion might be too much for some, but hey, this is a very contemporary portrait of a familiar American marriage.

MidnightDrivr 13 August Love is not only a product that always turns out great. Love is also not a energy that always lives forever.

Even with the greatest memories, one doesn't necessarily hold on a love pattern with another person for his or her entire life. I was happy that Blue Valentine showed that side of love.

Love can be filled with hatred. Love can express jealousy. It's a strong feeling, so why wouldn't it arise other strong emotions? Blue Valentine represents realisticly a failing relationship.

From the over-the-shoulder perspective, the depth of field mainly focusing on character and the exceptionnal acting by Michelle Williams and Ryan Gosling, it felt like you couldn't stand being in that relationship.

It was so real. Also, kudos to the soundtrack. It's raw in every sense of the word. Ryan Gosling and Michelle Williams floor me.

You don't have to go back to classic films in the 60s, you could just take last year's indie Peter and Vandy for example.

So there have been many attempts to capture relationships on the big screen that's not fantastical but more grounded and more honest.

What's genius about Cianfrance's story is that the dialogue doesn't hold any type of pretense to it. I attended the press screening and read the press notes afterward and was amazed by the long, grueling process that Cainfrance went through along with his stars Ryan Gosling and Michelle Williams just to get the kind of characters they have in mind.

The story shows you the past, how these two characters met, what made them fall for each other, romantic and heartfelt..

Last year we had the film Precious which was a pretty heavy, emotionally draining drama. I can't even begin to fairly describe how astounding Gosling and Williams are in this film.

Their performances here will be the kind that aspiring actors and theater students will learn from for years to come. They're spontaneous and unadulterated.

I'm completely amazed by the way the play the fights and the arguments. As Dean and Cindy, Gosling and Williams respectively convince you that they once love each other and now they may or may not be able to stand each other's presence.

Which leads me to the characters themselves, I don't think Cianfrance created them so that you the audience would take sides or try to decide which of them is right or wrong because I believe that these are two individuals who eventually realize that they're living not just with each other but also with regrets of the past, which make it very hard to be grateful,..

One could argue that Cindy is right in that Dean seems too content, like he doesn't have ambition, he's short tempered and very demanding.

And one could argue that Dean is right in that Cindy is too consumed by the thoughts of what could've, would've, should've been if the her choices had been different.

Their relationship is not physically abusive but it might as well be, there are times when things get heated, you would think it's only a matter of time before somebody would get seriously hurt.

It seems like somewhere along the way, Dean and Cindy just aren't in the same wavelength anymore. Their unhappiness stems from the fact that they no longer know how to make each other happy.

Cianfrance wants to remind the audience that marriage is hard, it's a lot of work and it can get rocky, it's no laughing matter.

It speaks to those who may have grown up in a home where the parents aren't your stereotypical love dubby mom and dad you see on 7th Heaven-type soap operas.

With the growing number of divorce in America, the "happily ever after" shown in Hollywood films are now far-fetched dreams and no longer a reality.

Blue Valentine chooses instead to give its viewers a story of unrestrained truth. This film gives us a raw and painful account of a married couple that was once deep in romance and drama but over time had grown apart.

Reality stripped them of the passion they once felt toward one another. The film jumps back and forth between the story of how they met and the current turmoil they are in now.

Director Derek Cianfrance does an exceptional job of bringing to the screen the gritty and messiness of a failed marriage. Cianfrance definitely understands the searing pain of a couple that has to call it quits not due to abuse or infidelity but simply because they cannot return to the love they once had.

Blue Valentine makes the viewer uncomfortable because it is strikingly identifiable. Ryan Gosling and Michelle Williams were amazing together; they successfully capture in every scene the multiple layers and the complexity of a relationship.

They feed off of one another on screen and their chemistry is authentic, so much so, that it is often times difficult to swallow.

The director's choice to have the two actors live together off screen paid off on camera. Blue Valentine is profound, intense and real.

It is definitely a "must-see". Blue Valentine is a complex drama as it requires the viewer to take a step forward beyond the visuals and in to the depths of the psychological world of the protagonists and how they operate as human beings.

The viewer needs understanding of their life experiences and how this effects their ability to love and be able to take part in a loving relationship.

I really liked the film for these reasons - it stretches the viewer beyond the superficial and in to the psychology of love and why a relationship may fail due to unresolved issues and failures in early family relationships.

The fabric of the story revolves around a kind young man who is drifting and without education. He yearns for love and it becomes clear that his yearning is also connected to his lack of family in early life and mother abandonment.

He meets a lovely intelligent young woman who is hoping to become a doctor - she has a weakness and that is rooted in a promiscuity and lack of true connection with men - this is due to her father being a bully which is clearly shown.

Fate throws these two young people together and a pregnancy issue brings them to marriage - whether or not the child is truly his is never totally explained.

However, what is clear is that both of them are looking for love and the child serves as a catalyst for deeper connection.

As the story emerges in the form of flashbacks, we are shown the gradual deterioration of a very promising beginning.

I can pin this deterioration on a few factors which the film masterly leaves in the viewer's consciousness to discover.

Firstly, the girl is not honest - she is not honest to herself and to her life wishes. She does not make decisions based on self awareness even though with her intelligence she is capable of that.

She uses the love of the man to see her through a stage of being a mother that she has chosen but not with her whole heart.

Meanwhile, the young man is not without flaws but he cannot find the structure in himself to improve himself as an individual; he sinks into a kind of lethargy probably sensing that he 'is not good enough' for the girl but not able to comprehend that if he had moved into education and goals, she would have respected him more.

The film then moves into the territory of what we are capable of in terms of emotional damage in early life.

This is a heart wrenching drama as you can see the potential of their love and how it is eroded by their subconscious destructive mechanisms and inability to grow together.

I would like to conclude that Blue Valentine is not primarily a love story; it is fundamentally a story about human complexity and the journey it takes to shake off the past and to re-define the personality THROUGH love for another individual.

Unfortunately sometimes the demons that people carry and the burdens of childhood are too strong and too overwhelming to survive even the greatest love.

We are more than just emotion and in the pursuit of a loving relationship we need to be brave enough to improve ourselves, seek help and reach out for ways to grow within the initial love attraction and make it long lasting for life's long journey.

If ever there was a perfect film that defines the romantic relationship for the 21st century, Derek Cianfrance's 'Blue Valentine' is that film.

We begin at a secluded ranch house where a little girl is trying to find her lost dog. We then see her father Ryan Gosling comforting her.

Enter mom Michelle Williams , the concerned mother who tries to balance work and her child's needs. Seems like a generally happy household, right?

Though they may not want to admit it, Dean and Cindy's marriage has been on the rocks for years. Dean decides to take his wife to a sex motel that ends up being more like a Star Trek motel to try to rekindle the way they used to feel about each other.

The reason for their bickering is unclear until the flashbacks that have been following the main plot line give you a full understanding of why things have deteriorated so.

Personally, I think this is the tragic romance to end all tragic romances. Films will try to beat it, but they will have to work long and hard before they can eek out an ounce of the genuineness with which this film tells its story.

Ryan Gosling's performance is one with a true everyman quality while allowing for a full-fledged, interesting character and a brilliantly realized character arc.

Michelle Williams does the same. She delivers this role with so much raw truth that you almost forget that it's Michelle Williams and not just an average woman.

I would not be surprised at all to see both of these superb talents get nominated for Best Actor Oscars, along with Derek Cianfrance for Best Director and the writing team for Best Original Screenplay.

It's heartbreaking, it's deeply moving; it will have you laughing, crying and singing its praises. Even though the MPAA seems to have a beef with truth in filmmaking, it's hard to imagine this film not being discovered over time and being recognized for the infallible masterpiece that it is.

While the movie states that it is a love story, I think it depends on your definition of "love story" or how far that term stretches.

Let me put it this way: This ain't your typical Valentines movie. It is heavy drama and it does depict relationship s very harshly. And because it feels so real, you can get sucked into it.

The movie got some heat over one scene rating wise there was some problem in the USA , but if you see it in context, it does make sense.

It does hurt, but it makes sense. You should also watch out for the time-line. Though it can be easily followed hairline , but it might confuse you for a second there.

Great movie with great actors! Greetings again from the darkness. OK, so I was extremely surprised to be the only male in a theater with 30 plus viewers.

I had not once previously thought of this as a chick flick. In fact, it is quite a weighty relationship expose' and that explains the lack of present men.

What is surprising is that while the film is about the ever-so-slow crumbling of a marriage, there is no blame placed at the feet of any one person, as is so often the case in Hollywood.

You might have already guessed that this is no upbeat, loosie-goosie rom-com. Rather, it is a bleak look at a marriage that starts with good intentions and fades into misery.

On the plus, we witness an acting clinic by two of today's absolute best Dean is quite the oddball romantic as he strums his ukulele and quivers "You Always Hurt the Ones You Love" in a bit of foreshadowing.

Cindy, on the other hand, is a bit more ambitious and has dreams of medical school. The two meet by happenstance in the hallway of a nursing home when Cindy is visiting her grandmother.

Immediately, there are sparks and after Cindy's macho boyfriend proves his true rotten self to her, she becomes more enamored with Dean.

When an unexpected pregnancy occurs, Dean is pretty quick to stand up for Cindy and they set off to build a life together.

Flash forward 6 years and Dean has changed very little, while Cindy just seems totally beaten down. They both cherish their precious daughter Frankie played by newcomer Faith Wladyka but their relationship is nowhere, gone, kaput.

Even an attempted one-night getaway to a themed hotel doesn't provide the relief they need. Instead, it's the final straw.

When Cindy repeats "I'm done" Director and co-writer Derek Cianfrance does a tremendous job with the details and creating the personalities of these two people.

Every relationship requires work and failure can be predicted when one gives up and the other pretends all is fine.

This one probably won't save any marriages, but it is worth seeing just to watch Ryan Gosling and Michelle Williams in action.

Throughout this film about a failing marriage, I wanted one question to be answered: What was the problem?

Here we have a funny, loving, childlike guy married to an unhappy woman. Seems she gave up her medical career because she became pregnant before they married.

It ain't the 50s anymore. We see through flashbacks that they were very much in love, but we do not get to know why she, not he, becomes dissatisfied with the relationship.

We are expected to believe that this is how most relationships dissolve? For no particular reason, just a blah feeling about it all. This film needs a half hour of editing and a much faster pace.

The dialogue is flat, and the much hyped sexually explicit scenes may be just that for prime time network TV, but not for me.

I didn't see sexually explicit at all here. I asked audience members around me--all women--what her problem was. Three said that it wasn't clear to them why she was no longer in love.

One suggested it was probably because he smokes. Another because he drinks. Another because he is immature.

Then I asked bothered it seemed two other moviegoers, again women, and they looked at me puzzled. When I asked her what the wife's problem was, she said, "You mean--what caused her problems?

The other said, "Life. This film is not satisfying emotionally or intellectually. And it's a bore, too. When the female protagonist says that she has two children, implying that one of them is her husband, I thought--could be this is her issue then.

Lame, just lame. The guy clearly loves her and their daughter, and he is clearly childlike, not childish--in fact, is is she who seems childish and selfish.

Writers: be clear. Ryan Gosling and Michelle Williams were both excellent in this movie, their talent was exhibited very well which was about the only redeeming thing about this film, they played a miserable couple very well.

Now that I got that out of the way, the movie itself was a renter at best. I read reviews saying that this movie was "Heart-wrenching" and "Moving" but only thing that wrenched my heart out is the fact that people buy into this mediocrity.

The script was weak, there was no decent dialogue, no compelling plot, no creative story-line, no real character development and no insightful resolution; it was as if someone wrote about a sad boring broken romance that they had and found some sucker to produce it.

It was a hyperbolized exhibit of the worse side of the marital statistics in society. As for the cinematography, I have seen better quality work done in Junior colleges.

Some of the scenes the frame was zoomed in so much the viewer didn't know what they were looking at; I understand that it was done purposefully to bring a first person perspective for the viewer, but it was contrived, not avant-garde.

I don't understand how people found this movie entertaining or valuable in anyway. Now for the story. Let me break it down, guy meets girl already Pregnant, 9 weeks in takes her anyway, gets married in a roadside chapel, five years later she doesn't appreciate him due the suffering of her own guilt, but can't own up to her faults and blames it all on him.

Guy, sucker that he is raises the child as his own after being beat up by the biological father and still stays with the girl even though it is blatantly apparent she doesn't love him, and using him as a scapegoat emotional crutch that throws him to the side after everything he's done for her.

Only because Gosling's character was so spineless. Was I moved? To tears, that I opt to go see another movie.

Never did I imagine that a shotgun wedding love story could be made into a movie in such a pretentious and predictable manner.

Those of you who thought this depressing chic flick was some kind of phenomenon, please reconsider some truly good films that are out there and compare their qualities to this one and appreciate the well crafted deserving work that is available to you.

As for the morals of the story, don't marry someone you just met and is pregnant with someone else's child or stalks you on a bus with a ukulele.

Don't need to remind me twice. I must again stress that Gosling and Williams did very well in their performances. Their abilities to show the change of state in their characters feeling towards one another was astounding and quite an inspiration in their work.

Their choice to be a part of this project is what was disappointing. If these two were not involved in this project it would have never had such a big spotlight on it.

A chilling and frustrating movie that tries to say 'it's both their faults, and this is how it goes'.

It shows how the worst qualities of the couple especially the wife come out full force against each other. I couldn't help but feel that it was Cindy's fault.

Instead she just washes herself after having unprotected sex Then three months into it, decides to have an abortion.

It's really not a wonder that she didn't end up a doctor. Dean goes on to do more for her than any man can be expected to: first takes her to the clinic, then marries her He even loves the daughter as his own.

He repeatedly tries to be affectionate to Cindy, only to be repelled by her every time. When she meets the baby's father, who once beat up Dean like crazy, she makes conversation with him like he was a high school sweetheart or something.

So overall, it was just easier for me forgive Dean's character flaws: he smokes, he drinks, he's lazy and he makes excuses, to Cindy's repulsive attitude: she is consistently distant and repelling, obviously blames him for her dissatisfaction with life, and just can't let Dean in.

All in all, this movie seemed to me the case of a loving, if incapable man chasing after a distant and repelling woman.

And he concedes defeat much too late. I thrive on difficult, complicated, emotionally raw films.

I yearn for heartbreak and I love ambiguous endings I even like films about people I don't like I hated this film, because it felt rooted in another planet: indie-world, where cute hipsters revel and couple in movie-ish "joy" and fight and come apart in faux "anguish".

I felt no discomfort except boredom in watching "Blue Valentine" because the actors, who've swept me up entirely into other so-called "difficult" films Williams in "Wendy and Lucy", Gosling in "The Believer", for example , were utterly unempathizable if intensely "acted" caricatures in this one.

He was shorthand for an initially likable, none-too-bright slacker who turns out to wear poorly, she was destined from word one to be a brittle smart-aleck who finds it easy to fault others but recognizes none of her own, increasingly nasty flaws.

The child is sweet and a talented little actor but is, sadly, just a plot device, not the emotional story center she could have been.

The structure had promise, but the direction and script or improvisation were sloppy, the work of people who base their visions of reality on other films, not life.

But the pair were as fake as the "robot's vagina" of a sex-mecca offered up to show us how low their relationship had sunk. And, frankly, my dear, I couldn't have given less of a damn.

Sorry to be a bring-down, folks, but this film, like Hans Christian Anderson's emperor, has no clothes.

Hell, when the intricate Mr. Talk about sync. This hyped-up movie turns out to be rather average. The plot is simple and universal - a young couple fall in love, they get older and more world-experienced, they fall out of love.

Plot-wise, that's pretty much it. Numerous often confusingly-placed flash-backs show us how pure and simple their original relationship was, though She had a lot?

When she falls pregnant she cannot be sure that He is the father. We also see the couple in the present, She now a busy medic, He naturally!

Not that he is an unlikeable character, for we see that he loves children his infant daughter , animals the dog and old people he tenderly helps an elderly man settle into a rest home.

The couple's marriage is disintegrating; they go to a futuristic hotel for a weekend of passion in a room that looks like a cross between an American diner and the Tardis.

It seems, as He puts it, 'like a robot's vagina' - a phrase which is striking but which doesn't really work - and neither do they.

Later there's a confrontation at her place of work, and they are nicely shown looking past each other with Her image reflected in a glass partition.

Interspersed with these scenes are various depictions of full-sex which simply become boring and which don't add to the story.

What we don't see, however, is what happens in between then and now. We don't see them struggling with Life, so we are not really much wiser at the end of the movie than we were at the beginning.

How He and She got to be where they are remains frustratingly obscure. The movie is saved from being a complete turn-off largely by the excellent acting all round, and by the lush camera-work.

Faith Wladyka is particularly brilliant as the couple's child, especially in the early scenes with her daddy.

If only He had not been encouraged to mumble his lines so much - what is it with this mumbling thing? It wasn't up to much even from Brando.

So, worth seeing but don't be surprised if you come away disappointed. We saw the movie at our regular haunt, the Cornerhouse, in Manchester, UK, a great movie venue if you're ever passing this way.

My favorite movie reviewer is James B. If he gives a movie three stars out of four the odds are very good that I'll have a satisfying viewing experience.

He actually gave this dog 3. I've never differed with him so much. If this story had been told chronologically, it would have been excruciatingly obvious that this marriage wasn't going to work out.

It's as if the movie makers cut up the story board and shuffled it like a deck of cards. We find out only well into this bore that she wanted to be a doctor while he was a high school dropout and and made no bones about it.

He marries her even though another guy just knocked her up. The film premiered in competition at the 26th Sundance Film Festival.

This was due to a scene depicting cunnilingus. Ours is reversed and somehow it's perceived as pornographic", he stated.

The film was given an uncut 15 certificate from the British Board of Film Classification. Special features include an audio commentary with director Derek Cianfrance, a making-of documentary, deleted scenes , and home movies.

Blue Valentine received critical acclaim. The website's critical consensus states: "This emotionally gripping examination of a marriage on the rocks isn't always easy to watch, but Michelle Williams and Ryan Gosling give performances of unusual depth and power.

He seems to stay fixed at the initial stage. Can you see the difference between 1 "He loves me as much as he always did", and 2 "He loves me exactly like he always did"?

I've read reviews saying Cianfrance isn't clear about what went wrong as they got from there to here.

Is anybody? Blue Valentine was listed on many critics' top ten lists. In , the script won the Chrysler Film Project, a competition that awards cash to an outstanding new feature film director overseen by Independent Feature Project.

From Wikipedia, the free encyclopedia. Theatrical release poster. Ryan Gosling Michelle Williams.

Hunting Lane Films Silverwood Films. The film is presented in a nonlinear narrative , jumping between the beginning of Dean and Cindy's relationship and their marriage several years later.

The following is a linear summary of the plot. I took a compass and So the next day I drove to Scranton Louis Post-Dispatch.

Optimum Releasing. British Board of Film Classification. December 17, Retrieved September 25, The Numbers. Retrieved March 5, Back Stage.

Retrieved February 13, The Weekender. Archived from the original on February 2, Retrieved January 26, Huffington Post.

Retrieved February 7, Numero Group: By The Numbers. January 18, The Hollywood Reporter. March 19, Archived from the original on February 27, The Playlist.

March 24, Retrieved March 24, Entertainment Weekly. New York Post. Cinema Blend , accessed October 5, The Plain Dealer. Rotten Tomatoes.

Fandango Media. Retrieved May 5, CBS Interactive. Retrieved October 6, Ebert Digital LLC. Retrieved April 11, Retrieved January 3, Academy of Motion Picture Arts and Sciences.

Casting Society of America. Retrieved January 7, Chicago Film Critics Association. Archived from the original on February 24, Hollywood Foreign Press Association.

Archived from the original on September 11, Adams, Ryan November 29, Independent Spirit Awards. Archived from the original PDF on March 4, Stone, Sarah January 3, San Diego Film Critics Society.

International Press Academy. Works directed by Derek Cianfrance. Categories : films English-language films s erotic drama films s romantic drama films American films American romantic drama films American erotic romance films Films set in New York City Films set in Pennsylvania Films shot in New York City Films shot in Pennsylvania American independent films American erotic drama films American nonlinear narrative films Films directed by Derek Cianfrance Films about abortion Improvised films independent films drama films.

Hidden categories: Webarchive template wayback links Articles with short description Use mdy dates from January Template film date with 2 release dates Official website different in Wikidata and Wikipedia.

Namespaces Article Talk.

blue valentine imdb

5 Comments

  1. Tygorr Faumuro

    Welche Phrase... Toll, die prächtige Idee

  2. Donos Mauhn

    Es — ist sinnlos.

  3. Faer Gardalkis

    Wie neugierig.:)

  4. Zurr Akinotaur

    die Anmutige Phrase

  5. Goltilabar Kall

    Ich denke, dass Sie nicht recht sind. Ich kann die Position verteidigen. Schreiben Sie mir in PM, wir werden reden.

Hinterlasse eine Antwort

Deine E-Mail-Adresse wird nicht veröffentlicht. Erforderliche Felder sind markiert *