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    This article is about the film. For the film, see Casino Royale film. For other uses, see Casino Royale. British cinema poster by Robert McGinnis. Famous Artists Productions [1].

    James Bond portal s portal Film portal. These figures refer to rentals accruing to the distributors. Retrieved September 12, Bisset, after playing the casino extra in early footage, was cast again as Miss Goodthighs.

    The Encyclopedia of British Film. Federal Reserve Bank of Minneapolis. Retrieved 2 January Archived from the original on 14 March Retrieved 9 March When the Snow Melts: The Autobiography of Cubby Broccoli.

    The Grey Fox of Hollywood. Archived from the original on 28 September Retrieved 13 September Trippin' with Terry Southern: Archived from the original on 29 October Archived from the original on 13 April Retrieved 13 April Archived from the original on 24 September Archived from the original on 16 August Retrieved 25 July A Biography of Peter Sellers.

    Casino Royale ". The Music of James Bond. Archived from the original on 4 March Retrieved 5 April Archived from the original on 19 January Retrieved 22 December The New York Times.

    Archived from the original on 22 October Archived from the original on 19 August Retrieved 7 July Archived from the original on 12 January Retrieved 12 August The Postmodern Epic in Spite of Itself".

    Bright Lights Film Journal. Retrieved 19 September Archived from the original on 30 September Retrieved 5 September Archived from the original on 3 February Retrieved 3 February Archived from the original on 30 December The Chicago Sun-Times review.

    Archived from the original on 21 April Retrieved 29 May Archived from the original on 14 August Archived from the original on 12 August Archived from the original on 7 May Archived from the original on 26 April Archived from the original on Archived from the original on 17 May Retrieved 27 April British Academy of Film and Television Arts.

    Archived from the original on 8 August Retrieved 29 July Retrieved 14 September Archived from the original on 11 August Archived from the original on 30 July Archived from the original on 2 February Retrieved 26 January Archived from the original on 25 February Retrieved 3 September Links to related articles.

    James Bond in film. Bizarre madcap comedy that isn't really that funny, but has a great taste. In the vein of later comedy masterpieces like Blazing Saddles, but with none of the humor.

    The cast is fantastic and everyone gives great performances, but the film itself just isn't very good. This movie is half good, but half bad too.

    There's an all-star cast, and the story is a spoof of spy movies at the time, so it has both of those things going for it.

    It has some really funny scenes, but then it has a lot of unfunny comedy scenes too. Overall this movie is okay, you'll like it better if you enjoy Woody Allen's comedy and James Bond movies.

    More Top Movies Trailers Forums. Season 7 Black Lightning: Season 2 DC's Legends of Tomorrow: Season 4 The Deuce: Season 2 Doctor Who: Season 11 The Flash: Season 3 Saturday Night Live: Season 4 The Walking Dead: The Crimes of Grindelwald First Reviews: Less Magical than the First.

    Part of the Collection: View All Photos 5. This James Bond spoof features the hero coming out of retirement to attempt to fix some problems for SMERSH, while a multitude of other subplots unwind about the central figure.

    David Niven stars, while a host of well-known actors populate the screen. David Niven as Sir James Bond. Peter Sellers as Evelyn Tremble.

    Ursula Andress as Vesper Lynd. Orson Welles as Le Chiffre. Woody Allen as Jimmy Bond. Joanna Pettet as Mata Bond.

    Daliah Lavi as The Detainer. Charles Boyer as Le Grand. John Huston as McTarry. Kurt Kasznar as Smernov. George Raft as Himself. Jean-Paul Belmondo as French Legionnaire.

    Terence Cooper as Cooper. Barbara Bouchet as Moneypenny. Peter O'Toole as Scotch Piper. Angela Scoular as Buttercup.

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    Durch Dick und Dünn Weitere Versionen auf Blu-ray. Währenddessen ist Mata von einem UFO entführt worden. Die gesamte Entführungsszene war inszeniert, doch da sie sich in Bond verliebt hatte, brachte sie die dann folgende Folterung dazu, ihren Auftrag aufzugeben. Ursprüngliches Ziel waren Sabotageakte weit hinter der Front des deutschen Afrikakorps , um Rommels Nachschublinien zu stören. September um Die deutsche Synchronbearbeitung entstand bei Interopa Film in Berlin.

    Tracey Crisp as Heather. Anna Quayle as Frau Hoffner. Richard Wattis as British Army Officer. Ronnie Corbett as Polo. Bernard Cribbins as Taxi Driver.

    Duncan Macrae as Inspector Mathis. Colin Gordon as Casino Director. Graham Stark as Cashier. Tracy Reed as Fang Leader. Jacqueline Bisset as Miss Goodthighs.

    Percy Herbert as First Piper. Derek Nimmo as Hadley. Duncan as 1st Piper. Alexandra Bastedo as Meg. John Bluthal as Casino Doorman.

    Chic Murray as Chic. Vladek Sheybal as Le Chiffre's Representative. Jeanne Roland as Captain of the Gurads.

    John Le Mesurier as Driver uncredited. Elaine Taylor as Peg. View All Casino Royale News. March 30, Full Review…. Poor is now lost in a hall of distorting mirrors.

    October 13, Full Review…. August 15, Full Review…. The few good aspects of this farce are vastly outweighed by the bad. November 5, Rating: Even less amusing than the more 'serious' Bond films.

    February 9, Full Review…. July 17, Full Review…. December 30, Full Review…. October 28, Rating: November 11, Rating: October 23, Rating: Silly spoof tamer than Austin Powers.

    December 14, Rating: View All Critic Reviews When Bond kills an adversary in a hotel stairwell, the violence is nasty and brutal - and you feel bystander Vesper's shock and revulsion too.

    She doesn't merely wince and get over it, as so many of her predecessors did; she's clearly traumatised. Casino Royale is exactly what the franchise needs to keep in the game against the Bournes and Missions: Impossible of the world.

    This is a much more serious Bond than we've seen in many years. Daniel Craig inhabits the dark side of the secret agent really well, he is absolutely the best Bond since Connery.

    Craig's humanised, more flawed interpretation of the role balances Campbell's physical direction and co-writer Paul Haggis's sparing wit, while Eva Green provides an alluring love interest.

    Rebooting a film franchise can often come across as an act of desperation: Perversely, the more successful a given reboot is, the easier it seemingly becomes to pull this same trick again the second that a particular instalment mildly underperforms.

    It may seem hard to believe in an age of cinematic universes where knowledge of superhero continuity is a badge of honour - but then we remember that Spider-Man and Superman have both been rebooted twice in the space of a decade.

    Die Another Day marked the Bond series' 40th anniversary in the most deeply disappointing way possible, serving up a glorified greatest hits compilation which played out like reheated leftovers.

    Faced with its deserved critical kicking and Pierce Brosnan's subsequent departure, the guardians of the series must have felt that starting from scratch and going back was the only way forward.

    Casino Royale is a worthy exception to the rule that reboots are pointless and underwhelming, delivering just the sort of reinvention that the franchise needed.

    It may even be the best film in the entire series. Part of the secret behind the Bond series' longevity is that it has always adjusted its character and storylines to the culture and politics of a given period.

    Sometimes it has done this so nakedly that the films in question date badly, whether it's Live and Let Die's attempts at aping Shaft, The Man with the Golden Gun cashing in on Enter the Dragon, or Moonraker trying and failing to be the next Star Wars.

    Often Bond has been at his best when he acknowledges his mortality and the world changing around him, while retaining the character elements which made him so popular in the first place.

    Goldeneye made a big deal about the Cold War ending, but it still felt like a story in which Bond had a rightful place.

    The spectre hanging over Casino Royale, and indeed all of the Daniel Craig era, is the Bourne series.

    The first three films shifted the goalposts of what constituted a modern action-thriller, innovating with its gripping storylines, sharp camerawork and relatable yet remarkable protagonist.

    Even Brosnan admitted that the series would have had to raise its game in the face of what The Bourne Identity did; watching that and Die Another Day now, it's hard to believe that they came from the same decade, let alone the same year.

    Casino Royale manages to match The Bourne Supremacy for quality, borrowing some of its aesthetic touches particularly in the chase sequences while also capturing the intrigue of Ian Fleming's original novel.

    Like Paul Greengrass, Martin Campbell understands the need to knit action and character scenes together to create a holistic, gripping package; the action feels like an integral and natural part of the drama, rather than interrupting it in order to show off the budget.

    Campbell brings the same calm, steady and methodical touch that he brought to Goldeneye; having saved Bond from irrelevance once, he does it again in some style.

    Skyfall so often gets praised for acknowledging Bond's past while still being modern and relevant, but Casino Royale manages to pull off this same trick, and arguably does it slightly better.

    Where Skyfall consciously tips its hat to the older films through costumes, characters or props such as the iconic Aston Martin DB5 , Casino Royale is more subtle; all the classic elements are there, but they've been modernised and refined so that they make more sense in the real world.

    It's still fitting for Bond to drive an Aston Martin, and it's a nice touch to see its distant predecessor roll by. But it wouldn't make sense for Bond's car to have many gadgets that he doesn't need, and having the car be wrecked to save Vesper makes complete sense.

    Where Roger Moore or Brosnan's films glorified the gadgets, this restores some welcome credibility and keeps the hardware under wraps unless absolutely necessary.

    Along these same lines, the screenplay takes all the best elements of Fleming's novel and transposes them into a contemporary setting.

    It still has all the glamour of the classic casino scenes from the Sean Connery era, but the playful banter and flirting has been replaced with high stakes, tense glances and much more serious consequences.

    Le Chiffre's relationships with arms dealers and dodgy speculation on the stock market felt current for its day and still feels very fresh; great effort is expended to ground the character's motivations while maintaining an air of intrigue, mystery and threat.

    The film takes itself seriously, but not too seriously; it wants to have fun, but it puts credibility above out-and-out entertainment, unlike many of Moore's entries in the canon.

    Le Chiffre's characterisation is also an interesting departure from what the Bond villain archetype has become. Where the likes of Drax, Stromberg and Blofeld wanted to single-handedly destroy or take over the world, Le Chiffre is essentially a middle-man; he is to the Craig era what Kristatos was in For Your Eyes Only, but better written and with a more interesting, more murky motivation.

    Like Bond, he is ultimately a pawn of bigger forces who struggles at times not to buckle under the pressure as the torture scene demonstrates ; by making him so small, he becomes more believable and more intimidating, even without the bleeding eye.

    He may look like the lead singer of Franz Ferdinand in his haircut and dress sense, but Mads Mikkelson plays him brilliantly, bringing a cold, dead-eyed feel to the character which both intrigues and repulses an audience.

    Creating convincing poker scenes in films is pretty difficult. The vast majority of efforts go for a highly stylised or choreographed approach, where audience expectations are pandered to through needless editing trickery; think of the final hand in The Cincinnati Kid, or the royal flush sequence in Maverick.

    Casino Royale's poker scenes may be more stylised than those in, say, The Sting or Rounders, but they are still very well-executed with good pacing and a frisson of unpredictability.

    What really makes them work, however, is the build-up in the script; there are little poker motifs dotted throughout, with comments about tells and misdirection.

    Because the film makes such a big theme out of bluffing and people not being what they seem, the card games don't feel like isolated set-pieces, and the later developments with Mathis and Vesper feel credible and yet still surprising.

    It isn't just that both characters ultimately don't make it past the final reel; the characters are both instrumental in the making of Bond, an affront and a challenge to his impulsive, playboy instincts and a safe refuge from the madness of his job and the people he has to kill.

    Eva Green is every bit as gripping and electric on screen as Diana Rigg before her; Vesper goes toe-to-toe with Bond and we get genuine character development, making her betrayal and death all the more shocking and heartbreaking.

    Craig's Bond is a changed man by the end of the film - it's just a pity that the resolution to his heartbreak in Quantum of Solace was as underwhelming and mishandled as the similar attempt in Diamonds Are Forever.

    The heartbreak surrounding Vesper brings us onto another of Casino Royale's great successes: Desmond Llewellyn's Q may have advised Bond that he should never let his enemies see him bleed, but the best Bond films have never been afraid of putting him through the mill, getting him into dangerous situations which can only be resolved at great cost - a cost often numbed by women and alcohol.

    The fight scenes in Casino Royale feel brutal, just as they should do; it isn't interesting to have someone waltz through conflict as though it was nothing.

    The torture scene and the defibrillator scene are great in isolation, but they are matched by Bond's emotional torment of losing Vesper.

    For the first time since Timothy Dalton's era - or Goldeneye at a push - Bond's pain feels real and meaningful. All of which brings us to Daniel Craig as Bond.

    While his subsequent films have been hit-and-miss, his performance here is more than enough to silence those who criticised his casting all those 'James Blonde' jokes sound all the more desperate now.

    He takes the suffering and burnt-out approach that Dalton brought and fuses it with some of Connery's unabashed cool to create a truly modern and contemporary Bond.

    He also has the confidence to eschew convention as much as he chooses to reflect or inhabit it; we get a build-up to a cliched sex scene, but then he's quickly on his toes and back to the plot.

    Casino Royale is a great, gripping spy thriller and arguably the finest of all the James Bond films. While it is slightly too long and a little too candid with some of its product placement, it remains an extraordinary reinvention of a franchise which had long been in need of a boost.

    Craig impresses in his first and finest performance as Bond, and Martin Campbell directs with great common sense and precision to create a majestic and immensely enjoyable film.

    Whether looking at the newer films or the franchise as a whole, this has set a very high bar which has yet to be beaten. With Daniel Craig reinventing the role like never before, Casino Royale reboots the Bond franchise with gusto and intelligence not seen before in the long running franchise.

    Thanks to the best story of the series to date, Casino Royale features the right blend of exhilarating action and heart pounding drama.

    Daniel Craig is the best Bond since Connery and for my money the best actor to play the character. The Autobiography of Cubby Broccoli.

    The Grey Fox of Hollywood. Archived from the original on 28 September Retrieved 13 September Trippin' with Terry Southern: Archived from the original on 29 October Archived from the original on 13 April Retrieved 13 April Archived from the original on 24 September Archived from the original on 16 August Retrieved 25 July A Biography of Peter Sellers.

    Casino Royale ". The Music of James Bond. Archived from the original on 4 March Retrieved 5 April Archived from the original on 19 January Retrieved 22 December The New York Times.

    Archived from the original on 22 October Archived from the original on 19 August Retrieved 7 July Archived from the original on 12 January Retrieved 12 August The Postmodern Epic in Spite of Itself".

    Bright Lights Film Journal. Retrieved 19 September Archived from the original on 30 September Retrieved 5 September Archived from the original on 3 February Retrieved 3 February Archived from the original on 30 December The Chicago Sun-Times review.

    Archived from the original on 21 April Retrieved 29 May Archived from the original on 14 August Archived from the original on 12 August Archived from the original on 7 May Archived from the original on 26 April Archived from the original on Archived from the original on 17 May Retrieved 27 April British Academy of Film and Television Arts.

    Archived from the original on 8 August Retrieved 29 July Retrieved 14 September Archived from the original on 11 August Archived from the original on 30 July Archived from the original on 2 February Retrieved 26 January Archived from the original on 25 February Retrieved 3 September Links to related articles.

    James Bond in film. List of films Filmography. Eon films secondary songs Non-Eon films secondary songs. Films directed by Ken Hughes. Films directed by John Huston.

    Five Came Back documentary. Films directed by Val Guest. Films directed by Joseph McGrath. Films directed by Robert Parrish.

    Retrieved from " https: Archived copy as title EngvarB from September Use dmy dates from October Film articles using image size parameter All articles with unsourced statements Articles with unsourced statements from February Articles with unsourced statements from December Articles with hAudio microformats Good articles.

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    Casino Royale by Ian Fleming. Wikimedia Commons has media related to Casino Royale film.

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    Oktober in Rimini La prima notte di quiete Sein Debüt in einem Langspielfilm absolvierte er ebenfalls im Jahr in Nicolas Winding Refns Actiondrama Pusher , in dem er den kahlköpfigen, rauschgiftsüchtigen Tonny spielte. In folgenden Ländern wurde gedreht: Markus Merthin Fernsehserie, 1 Folge Im Jahre bekräftigte der damalige Verteidigungsminister Geoff Hoon die bis heute geltende Geheimhaltungspolitik gegenüber der Öffentlichkeit. Im Hauptquartier in Hereford wurde zu diesem Zeitpunkt ein neues Squadron aufgestellt: Die Gang Fernsehserie, 1 Folge Sein Bond hat eine enorme Anspannung und physische Präsenz; eisige Oberfläche, unter der es brodelt.

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